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Fritz Kreisler, Schön Rosmarin. (from vinyl : « À la Belle Époque, Musiques dans un Salon »
Violin J-C Féret,
Piano Christine Hartley-Troskie
Charles de Bériot, Scène de ballet ( from vinyl : « À la Belle Époque, Musiques dans un Salon »
Violin : J-C Féret,
Piano : Christine Hartley-Troskie
Pablo de Sarasate, Gipsy tunes, recorded during a concert in 1990
Violin : J-C Féret,
Piano : Christine Hartley-Troskie
Marin Marais, Bells of the church Sainte Geneviève du mont. Recorded in concert in Rouen.
Violin : J-C Féret,
Gamba : Béatrice Tilloy,
Cembalo : Anne-Lise Féret.
Page CD/DVD : (In French)
Maria : Text, Jean-Claude Féret : Musique « Toc, toc... Qui est là ?... » (from the tale « Drôle de planète »)
Récitant : Maria
Piano, violon : J-C Féret.
Romanian Folklore (Arrangement J-C F) The lark, as an encore after a concert (26/11/92)...
Violin : J-C Féret
Piano : Anne-Lise Féret
A. Dvořák, sonatine, 3d mouvement.
Violin, J-C Féret
Piano, Anne-Lise Féret
Reconstitution of instruments :
• Audio example of the hurdy-gurdy:
Middle-age, Carmina Burana (Dulce solum...)
Voice, hurdy-gurdy arco, hurdy-gurdy pizz, cymbalet : J-C Féret
• Audio example of the bass viola da gamba
Renaissance : Pavan: « Belle qui tiens ma vie »
3 Renaissance violins , Bass gamba, recorder,drum : J-C Féret.
Musical examples :
Middle-age, Ductie (dance)
Viele, recorder, tambourins : J-C Féret
Vivaldi, sonata in G minor
Violin, Jean-Claude Féret
Clavecin, Christine Hartley-Troskie
Basson, Mr X
Tartini, last sonata a violino solo (mvt 1)
Baroque violin, Jean-Claude Féret
Beethoven Sonatas for piano & violin n° 2, n° 3, n° 4
Piano : Christine Hartley-Troskie
Violin, J-C Féret
—oOo—
A little word of explanation : apart from the concerts and extracts from the CD "Belle Époque" where there was one player per instrument, some background music you will hear is from the musical tale "Drôle de planète", and my name in front of many instruments supposed to be played together, may appear erroneous...
The fact is that, to produce this tale, Maria wrote the text, and recorded the parts for female voice, and I did the rest by my self, i.e. the composition, sound recording and engineering, and for larger groups, I multi-tracked... in rare cases, when I was unable to play a particular instrument that I needed (harp,horn, bassoon...) , or when the part for cello or piano was much too demanding for me, I had to call in for someone else's help, after all, I am chiefly a violinist and violist.
